While there are many ways to practice trikonasana, the usual way of transitioning into it is with the front leg already straight. There's nothing inherently wrong with this approach, if a) your students have relatively flexible hamstrings and b) they have the body awareness and physical ability to laterally tilt their pelvis.  However, what often seems to happen is that many students have difficulty laterally tilting their pelvis for one of the above reasons and as a result end up laterally flexing their waist in order to get their hand down to their shin bone or a block. So they end up looking more like the student in Figure A than the student in Figure B. 

Part 1 of this 2-part post includes a discussion with images illustrating a unique way of transitioning into trikonasana that makes it easier for some students to finesse the perfect amount of hamstring stretch while maintaining strong lines of energy through the axial body and extremities. Part 2 is a 5-minute video that shows these steps, along with a couple of hands-on assists that accompany them. Enjoy!

Do you still practice and teach revolved triangle? I was reading through a thread in one of the Facebook forums that I belong to, and a lot of yoga teachers were saying that they no longer practice or teach this pose for a variety of reasons. Some people stated that they just didn't understand it enough to teach it. Others felt like it caused a bit of stress to their SI joints, or they just felt awkward and uncomfortable in the pose and so were concerned about teaching it to their students. One teacher expressed frustration that students in her classes would often choose not to place their hand on a block, even though she could see that the trunk flexion caused by placing the hand on the floor was clearly inhibiting their ability to rotate their trunk.
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When I was a relatively new yoga student I remember expressing my strong dislike of revolved triangle to one of my teachers, and she said to me: "Your mission, if you choose to accept it, is to find a way to fall in love with this pose. You can use whatever props you like." I took her up on the challenge, and ended up finding a way to do it with my forearm propped up on the kitchen table that actually felt somewhat enjoyable. And today it's one of my favorite postures. 
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If you dislike revolved triangle, or find it somewhat difficult to teach, check out the above video that Frances and I created to show a step-by-step progression into the pose that might help you and your students experience a little more ease and joy. One of the key teaching points is to facilitate more spinal rotation by preserving the lift of the chest and extension of the spine throughout the pose by:

• starting with the front knee flexed and one hand on a block on the inside of the foot
• slowly extending the front knee to create a moderate stretch in the hamstrings, while stabilizing the pelvis and trunk against posterior tilt and flexion (the knee doesn't have to fully straighten, and you can adjust the height of the block as needed)
• keeping the head, spine and tailbone aligned over the midline of the mat as your revolve
• allowing the pelvis to follow the lumbar spine into the twist (but keep the back heel rooted and the back knee straight) 

Give it a try and let me know what you think in the comment section on the blog! 

When I was a relatively new yoga student I remember expressing my strong dislike of revolved triangle to one of my teachers, and she said to me: "Your mission, if you choose to accept it, is to find a way to fall in love with this pose. You can use whatever props you like." I took her up on the challenge, and ended up finding a way to do it with my forearm propped up on the kitchen table that actually felt somewhat enjoyable. And today it's one of my favorite postures. 
​
If you dislike revolved triangle, or find it somewhat difficult to teach, check out the above video that Frances and I created to show a step-by-step progression into the pose that might help you and your students experience a little more ease and joy. One of the key teaching points is to facilitate more spinal rotation by preserving the lift of the chest and extension of the spine throughout the pose by:

• starting with the front knee flexed and one hand on a block on the inside of the foot
• slowly extending the front knee to create a moderate stretch in the hamstrings, while stabilizing the pelvis and trunk against posterior tilt and flexion (the knee doesn't have to fully straighten, and you can adjust the height of the block as needed)
• keeping the head, spine and tailbone aligned over the midline of the mat as your revolve
• allowing the pelvis to follow the lumbar spine into the twist (but keep the back heel rooted and the back knee straight) 

Give it a try and let me know what you think in the comment section on the blog! 

Virasana, Hero's pose, is a classic yoga posture that can serve as a  stretch for the quadriceps and top of the feet, as a resting position between more active asanas, or as a great alternative to other seated postures for pranayama and meditation. However, there's a bit of controversy over the alignment of the feet. Should they point straight back? Or angle outward a bit, as illustrated in the attached image?

In the following video, which was shot during a recent ASFYT course in NYC, Jason makes the case for the latter by showing with the bones how maintaining a straight line along the anterior tibia through the top of the foot helps prevent rotation of the tibia relative to the femur and preserves a healthy alignment between the femoral and tibial condyles. Please note that the video doesn't really dive into some of the other common concerns in Virasana, such as how much medial rotation is healthy (too much can cause compression in the hip joints and varies from one person to the next), or how to modify for tightness in the quadriceps or top of the feet using blocks and blankets. However, in general we're fans of preventing compression in the joints, being comfortable, and using props... as you'll see in the video. Enjoy, and let us know your thoughts in the comments!

For additional reading, be sure to check out the following articles by Roger Cole:

• Keep the Knees Healthy in Virasana
• 10 Tips for Practicing Virasana Safely​

Last week I experimented with creating my first Facebook Live video... which I shot in Central Park on a Friday morning with Bethesda Fountain in the background. I think it turned out pretty good, and I had fun doing it. Looking forward to sharing more anatomy with you in this format, as it saves a ton of time on the editing and uploading front (no need to edit live video!).

In a previous video, we explored how the thoracolumbar spine can only rotate about 30-45 degrees, and discussed how trying to force it to rotate more could create stress at the intervertebral and costovertebral joints. While there is certainly merit to attempting to rotate hypomobile segments of the spine, "cranking" ourselves or our students into deep twists may in the end do more harm than good (check out the revolved triangle video).

In this video, we explore an alternative to "deepening the rotation" in a supine twist and instead choose to incorporate some release work for:

• the pec major and minor, which can help open the chest and increase the mobility of the shoulder joint
• the forearm flexors, which can help release tension in these muscles and facilitate great wrist extension 
• the iliotibial band and lateral quadriceps muscle, which will help prevent IT band friction syndrome and patellofemoral tracking dysfunction

Enjoy, and let me know if you try any of this stuff! 

Should we "draw the shoulder blades down the back" when raising the arms overhead? Or "plug the arms into the sockets" when reaching the arms forward? "Melt the heart" in plank? Squeeze the shoulder blades together in eagle pose? 

In this fifth and final video in our series on scapulohumeral rhythm we make the case that none of the above are very skillful verbal cues, and explore alternative cues and hands-on assists that support the natural, healthy rhythm between all of the joints within the shoulder joint complex. 

If you missed the other videos in this series be sure to check them out! In the first video we explored the anatomy and movements available at the shoulder and scapulocostal joints. In the second video we explored how movements of the shoulder joint should be coupled with movements of the scapulocostal joint to ensure safe, efficient biomechanics at the shoulder joint complex that will help prevent injury. In the third video we explored shoulder impingement syndrome... some of its causes and recommendations for how to prevent it. In the fourth video we reviewed the muscles of the rotator cuff and offered a variety of ways to help strengthen them. 

Your comments and observations are welcome. Please share with anyone whom you think might benefit!

Scapulohumeral rhythm is the coordinated movement that should occur between the shoulder and scapulocostal joints during all movements of the arm. Learning more about scapulohumeral rhythm will better inform your own practice, refine the biomechanical accuracy of your verbal cues and hands-on assists, and help keep your shoulder joints happy and healthy.

In the first video in this series we explored the anatomy and movements available at the shoulder and scapulocostal joints. In the second video we explored how movements of the shoulder joint should be coupled with movements of the scapulocostal joint to ensure safe, efficient biomechanics at the shoulder joint complex that will help prevent injury. In the third video we explored shoulder impingement syndrome... some of its causes and recommendations for how to prevent it. One of those recommendations was to strengthen the muscles of the rotator cuff... so in this video we review the muscles of the rotator cuff and offer a variety of ways to help strengthen them. 

In subsequent videos we'll explore verbal cues and hands-on assists that might sabotage scapulohumeral rhythm within a variety of postures, and alternative cues and assists that will help support this rhythm and create more stability. 

Your comments and observations are welcome. Please share with anyone whom you think might benefit!

Scapulohumeral rhythm is the coordinated movement that should occur between the shoulder and scapulocostal joints during all movements of the arm. We feel that there are a handful of verbal cues and hands-on assists out there in yoga world that go against this rhythm, which can lead to shoulder instability and/or impingement syndrome (e.g., "plug the arms into the sockets," "draw the shoulderblades down the back," "melt the heart" in plank, etc.). Learning more about scapulohumeral rhythm will better inform your own practice, refine the biomechanical accuracy of your verbal cues and hands-on assists, and help keep your shoulder joints happy and healthy.

In the first video in this series we explored the anatomy and movements available at the shoulder and scapulocostal joints. In the second video we explored how movements of the shoulder joint should be coupled with movements of the scapulocostal joint to ensure safe, efficient biomechanics at the shoulder joint complex that will help prevent injury. In this video, we examine shoulder impingement syndrome... and offer three suggestions to help prevent it. This is knowledge that you can put to immediate use in your practice and teaching!

In subsequent videos we'll explore:

• the muscles of the rotator cuff and how to strengthen them, which will help prevent shoulder impingement syndrome
• verbal cues and hands-on assists that might sabotage scapulohumeral rhythm within a variety of postures, and alternative cues and assists that will help support this rhythm and create more stability

Your comments and observations are welcome!

Scapulohumeral rhythm is the coordinated movement that should occur between the shoulder and scapulocostal joints during all movements of the arm. We feel that there are a handful of verbal cues and hands-on assists out there in yoga world that go against this rhythm, which can lead to shoulder instability and/or impingement syndrome (e.g., "plug the arms into the sockets," "draw the shoulderblades down the back," "melt the heart" in plank, etc.). Learning more about scapulohumeral rhythm will better inform your own practice, refine the biomechanical accuracy of your verbal cues and hands-on assists, and help keep your shoulder joints happy and healthy.

In the first of video in this series we explored the anatomy and movements available at the shoulder and scapulocostal joints. In this video (the 2nd in the series), we explore how movements of the shoulder joint should be coupled with movements of the scapulocostal joint to ensure safe, efficient biomechanics at the shoulder joint complex that will help prevent injury.

​In subsequent videos we'll explore:

• shoulder impingement syndrome, and three ways to help prevent it 
• verbal cues and hands-on assists that might sabotage scapulohumeral rhythm within a variety of postures, and alternative cues and assists that will help support this rhythm and create more stability

Scapulohumeral rhythm is the coordinated movement that should occur between the shoulder and scapulocostal joints during all movements of the arm. We feel that there are a handful of verbal cues and hands-on assists out there in yoga world that go against this rhythm, which can lead to shoulder instability and/or impingement syndrome (e.g., "plug the arms into the sockets," "draw the shoulderblades down the back," "melt the heart" in plank, etc.). Learning more about scapulohumeral rhythm will better inform your own practice, refine the biomechanical accuracy of your verbal cues and hands-on assists, and help keep your shoulder joints happy and healthy.

In this first of several videos we explore the anatomy and movements available at the shoulder and scapulocostal joints. In subsequent videos we'll explore:

• the coupled movements that should occur between these two joints during all three planes of movement
• shoulder impingement syndrome, and three ways to help prevent it 
• verbal cues and hands-on assists that might sabotage scapulohumeral rhythm within a variety of postures, and alternative cues and assists that will help support this rhythm and create more stability

In this video, we explore the alignment of the pelvis, spine and knees in parivrtta utkatasana, revolved chair pose. We revisit some of the themes presented in other recent videos that we've posted about rotated postures (e.g., the benefits of maintaining a neutral spine and allowing the pelvis to follow the lumbar spine during twists), but with specific cues that pertain to revolved chair pose. We also discuss the common cue to "keep the knees level" in this pose and present an alternative viewpoint as we feel that the outside knee should move forward a bit to accommodate the rotation of the pelvis.

Related Posts

• ​Alignment Of The Pelvis In Revolved Triangle 
• ​Let's Do The Twist (Thoracolumbar Rotation)
• Spinal Extension Vs Flexion In Rotated Postures​

In order for the thoracolumbar spine to rotate to its full potential (about 35-45 degrees), it is important to maintain spinal extension. If the hamstrings, glutes or other hip extensors are relatively tight they will limit the anterior tilt of the pelvis in seated spinal twists and revolved triangle, which will in turn cause the spine to flex (round). It is also common for students to posteriorly tilt the pelvis and flex the spine during supine twists. 

​In the following video we explore the importance of preserving spinal extension during rotated postures in order to allow greater range of motion, foster the free flow of the breath, and prevent stress in the shoulders, necks, intervertebral and sacroiliac joints.

Related Posts

• ​Alignment Of The Pelvis In Revolved Triangle 
• ​Let's Do The Twist (Thoracolumbar Rotation)
• Anatomy of Asana: Revolved Chair Pose ​​

​In this video we explore the twist potential in the thoracolumbar spine and extol the benefits of encouraging all of the lumbar and thoracic intervertebral joints to do their fair share in all rotated postures.

A cue that we often hear when twisting is to try to twist from the navel up. The navel is located at approximately the level of L3, or perhaps L4 on some people. Most people can rotate approximately 2-3 degrees at each of the thoracic intervertebral joints and about 1-2 degrees at each of the lumbar intervertebral joints, for a combined rotation of somewhere between 29-46 degrees. If we try to isolate our twists "from the navel up" we'll lose the potential 1-2 degrees of rotation between L3-L4, L4-L5 and L5-S1... which adds up to somewhere between 3-6 degrees of rotation. In addition, we'll lose some of the benefits of twisting in the lumbar spine, which include nourishing the intervertebral discs and creating a squeeze and soak effect on the abdominal organs... which are located in the, wait for it, abdomen! During the twist the abdominal organs get a bit of a squeeze when helps to propel the venous blood in these organs back toward the heart (veins have one-way valves that only allow blood to flow toward the heart), and then when we come out of the twist the organs are decompressed which allows fresh arterial blood to flow through the capillaries.

Related Posts

• ​Alignment Of The Pelvis In Revolved Triangle 
• ​Spinal Extension Vs Flexion In Rotated Postures
• Anatomy of Asana: Revolved Chair Pose ​​​

A common instruction in Virabhadrasana 1 is to ground the outer edge of the back foot. However, if this instruction is coupled with the cue to wrap the outer back thigh forward it can create rotational torque at the knee joint and stress the ACL (anterior cruciate ligament). The ACL attaches from the underside of the femur (posteriorly) to the topside of the tibia (anteriorly), and has two main functions: 1) to prevent hyperextension of the knee, and 2) to prevent excessive rotation between the femur and tibia when the knee is flexed. It's important for a flexed knee to be able to rotate a little bit, as this is what allows a person to pivot and change direction when walking. However, when the knee is straight the ACL becomes taught to prevent hyperextension. If a rotational force is applied to a straight knee, the already taught ACL will be overly stressed, potentially leading to pain within the knee and over-stretching of the ligament that causes subsequent instability in the joint.

In the above video we offer alternative cues for the back foot, leg and thigh that help prevent rotational torque and keep the knee safe.

Depending upon the way that you practice triangle pose, and for sure there is more than one way to practice it, you may be attempting to laterally tilt your pelvis as you come into the posture in order to keep the top side waist short, the bottom side waist long, and to increase the stretch in the hamstrings. However, if you or your students are turning the pelvis too far to the side it may not be able to laterally tilt very far due to bony compression between the rim of the hip socket and the neck of the femur. In this short video clip, we demonstrate how turning the pelvis toward the front leg before going into the posture allows for significantly more range of motion in the pelvis. Once the pelvis has tilted, you can then place the hand on the leg (or a block or the floor), and use your core abdominal muscles to help rotate the trunk toward the side, allowing the pelvis to follow as much as it might like or need to. Check out the video, experiment and let us know what you think!

There seems to be two schools of thought regarding the position of the pelvis in parivritta trikonasana. Some teachers insist that the pelvis should be held in a level position and that the rotation should primarily occur in the spine, while others hold the view that the pelvis doesn't need to be level and that there are in fact benefits when you allow it to rotate (see a New Take on Twists by Jason Crandell, where he indicates how his view has changed about the position of the pelvis during rotated postures). I hold the latter view, that the pelvis should be allowed or even encouraged to follow the lumbar spine into the rotation, and in the following video present three benefits for doing so.

​The three main points that we explore in the video are that letting the pelvis follow the rotation of the lumbar spine will...

1. reduce the amount of torque at the sacroiliac joints,
2. adduct the front hip and create a unique and valuable opportunity to stretch the hip abductors, lateral rotators, lateral hamstrings and iliotibial band, and
3. create more freedom and ease in the neck and top shoulder.

As usual, please share your thoughts and opinions in the comments below!

Related Posts

• ​​​Let's Do The Twist (Thoracolumbar Rotation)
• Spinal Extension Vs Flexion In Rotated Postures
• Anatomy of Asana: Revolved Chair Pose ​​​

Do the Quadriceps Stretch in Bow Pose?
A posture that frequently gets mentioned in class whenever I ask which postures would be a good stretch for the quadriceps is Dhanurasana, bow pose.  While a common misconception, bow pose simply does NOT present much of a stretch for the quadriceps muscles. At least not the vasti group of the quadriceps, which constitutes about 75% of the quadriceps muscle group. Why? Check out this short little video, which is meant as a follow-up to the quadriceps anatomy video we shared last week.

In this video post, we explore the location, attachments and actions of the four quadriceps muscles, which include the rectus femoris, vastus lateralis, vastus medialis and vastus intermedius. We also look at a handful of postures that strengthen and stretch the quadriceps, which will vary depending upon whether or not you are targeting the vasti group or the rectus femoris.

Related Posts: Are the Quadriceps Stretching in Dhanurasana? 

Many years ago I was in a workshop with Rodney Yee, and one of the students asked, "Rodney, can you tell me the right way to do trikonasana? It seems that in every class I take the teacher says something different, and I'm no longer sure of the correct way to practice." I was expecting him to lead us into an exploration of the most skillful way to practice, but instead he asked her to show him one way to practice trikonasana and then to tell him the benefits of practicing it that way. And then he asked for another example, and again asked about the benefits of practicing that way. The point he was making was that there isn't a right or wrong way to practice trikonasana or any other pose for that matter... but different choices within each posture would have pros and cons. This was eye opening for me at the time, because I, like most new yoga students, assumed that yoga postures were handed down from the Yoga Gods and that there was a right way to practice them in order to derive the most benefit on a physical and energetic level. However, what he said made total sense and I loved learning a point of view on the subject that seemed so non-dogmatic. In this post, we'll look at the Iyengar and Satchidananda versions of trikonasana and explore the benefits, challenges and considerations of each.

In Pincha Mayurasana ("feathered peacock", aka forearm stand), it is common for teachers to instruct new students to place a strap around the elbows and a block between the hands in order to keep the elbows from sliding wider than shoulder-width and the hands from sliding toward each other (see image, right).  However, this set-up significantly reduces the range of motion of the shoulders and necessarily forces more of a backbend into the posture, even for more advanced students.  This is all fine and good provided that the student has developed enough flexibility in their thoracic spine and the ability to stabilize their lumbar spine (by contracting the pelvic floor and the transversus abdominis). However, allowing the arms to turn inward slightly, which is a very natural action from a biomechanical perspective, will decrease stress at the shoulder joints, increase range of motion at the shoulder joints, and enable the posture to be more vertical with less backbend. Check out the video below for more of an explanation, as well as a demonstration from one of the ASFYT-3 classes.

The Inner Spiral of the wrist vs the Outer Spiral of the Shoulder

When students first begin to practice Downward Facing Dog, one of two common misalignments typically occurs in the upper body:

1.  the upper arms medially rotate at the shoulder joints, causing a downward facing "bulldog" shape in the upper body (Figure A), and/or
   
2. the inner heels of the hands (thumb side) come up off the floor, such that all of the weight shifts onto the pisiform bone on the outer heels of the hands (Figure B)
   

As teachers, most of us probably spend a lot of time telling students to ground the inner heels of their hands and an equal amount of time telling them to work the external rotation of their arms at the shoulder joints, while performing corresponding hands-on assists that encourage these actions.  These cues will help for awhile, but over time there is the potential that many students will take the "externally rotate the shoulders" cue too far, causing biomechanical stress/torque at the shoulder, elbow and wrist joints.

In the following video...

In both Agnisambhasana (Firelog pose, or Ankle-to-Knee pose) and Gomuhkasana (Cow-Faced pose), one of the key anatomical factors is that the thighs need to laterally/externally rotate in order to keep the knees safe.  If the thighs don't laterally rotate enough in these postures then the medial condyle of the femur will dig into the medial meniscus of the knee and overstretch the lateral collateral ligament (for a more detailed overview of this, be sure to check out the video Keeping the Front Knee Safe in Pigeon). A great hands-on assist in both postures is to manually press the outer thighs down to help facilitate the lateral rotation.  For more flexible people, you can also deepen the stretch in these postures by adding a little bit of your body weight to the top of their pelvis to increase anterior tilt.  Check out the video to see these assists, and then practice them with a friend or in class!

Virasana (hero's pose) is a fantastic seated posture for beginners because it fosters a tall, upright spine for pranayama and meditation.  However, it requires flexibility in the quadriceps and the ankle dorsiflexors, and if these muscles are tight then a student might experience pain in their knees and/or feet.  To accommodate tightness in the quadriceps, all that is really needed is to decrease the amount of knee flexion by sitting on a block or two placed between the feet.  However, accommodating tightness in the ankle dorsiflexors requires a  bit more finesse. 

In this post, we'll review the muscles that plantarflex and dorsiflex the ankles and go over a few modification that will accommodate tight dorsiflexors. We've also included a video from one of the recent ASFYT-3 classes where we offer a strategy that might help prevent cramping when coming into the pose, as well as how to fold the blankets for our favorite modification.